Rare finishes and the highest quality construction.

For Oak species only

For Oak species only

For Oak species only

Grey, peralized Oak finish. 10% extra charge.

For Oak species only

For Cypress only (outdoor use)

For Cypress only (outdoor use)

For Cypress only (outdoor use)

For Cypress only (outdoor use)

For Cypress only (outdoor use)

Slightly pigmented, grey-toned stain with medium distressing, open pores, dry brushing and patina

Slightly pigmented cool stain, cerused to create open grain, accepting glaze in a random pattern.

Deep red Walnut with cold overtones, much like Adam Mahogany, 1118

Deep, red walnut with Mahogany undertones

Medium contrast Walnut with reddish undertones

Warm, brownish-red Walnut

Medium contrast Walnut with yellow undertones

Olive Ash - Light brown with yellow undertones and strong grain contrast

Dark, glazed brown Walnut

Dark Walnut, almost black

Light brown, French Walnut

Light, yellowish-brown Walnut

Heavily bleached Mahogany, wire brushed, open pigmented grain to simulate “limed oak”

Darker, deeper red

Cooler, brown Mahogany with heavy shading

Browner, red Mahogany

Yellow-brown, light Mahogany, bleached finish.

Light, warm brown Mahogany finish with heavy shading

Slightly redder Mahogany in the same family as Osterly Park (1114)

Textured, painted finish with visible brush strokes

Textured, painted finish with visible brush strokes

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique.

Brushed finishes reflect the soft texture of a brushed-through technique

Brushed finishes reflect the soft texture of a brushed-through technique

Crackled black painted finish with visible red undercoat

Painted, striated look achieved with refinement and depth

Painted, striated look achieved with refinement and depth

Painted, striated look achieved with refinement and depth

Painted, striated look achieved with refinement and depth

Painted, striated look achieved with refinement and depth

This specialty finish requires a 5% extra charge

This specialty finish requires a 5% extra charge

This specialty finish requires a 5% extra charge

This specialty finish requires a 5% extra charge

Creative build of four painted layers that are then artistically sanded through to reveal the undercoats. 10% extra charge

Creative build of four painted layers artistically sanded through to reveal undercoats. 10% extra charge

Striated color created with depth and refined finish

Cream painted lacquer with matte sheen

White lacquer layered over blue, artistically sanded to reveal undercoats. 10% extra charge

Dark grey/black painted lacquer in a matte sheen

Dark Grey painted lacquer in matte sheen

Medium grey painted lacquer textured with gesso texture and depth, medium distressing and glazed color distressing. 10% extra charge

Dark blue lacquer with added grey glaze in matte sheen

Grey painted lacquer in matte sheen

Brushed vinyl with gray undertones, brown and white overglaze, heavy distressing, sand throughs and chipping

Black, smooth paint with a light dusty overglaze

Warm yellow paint with brush strokes and a yellow glaze

Very antiqued gesso texture with heavy distressing, French blue-green.

Red-orange lacquer

Brushed texture, antique white with a brown glaze, overlaid with white glaze, light sand-through on finish.

Dark shaded antique white, heavily distressed and sanded, brown and black glaze

Antique white with brushstrokes and brown glaze to simulate Fresco painting

Brushed green undercoat with brown glaze, spatter, and brush marks

Black, flat sheen, smooth finish, minimal distressing, no rub through

Heavily distressed grey undercoat with troweled gesso below and brown-black glaze over all

Metallic silver paint finish is worked to a warmer, “champagne” color through glazing. Edges are lightly sanded to a black undercoat. (Color very close to 6220 Champagne leaf)

Highly polished lacquer.

Very heavily distressed and heavily sanded black finish

Traditional, antique white, eggshell texture with brown then white glaze

Aged Gilt Leaf with rubbed through red tones

Gold leaf with red undercoat, red bollo sizing, orange shellac and brown glaze. White glaze overall.

Gold leaf with special, red undercoat. Clear sizing, wooled-through leaf with orange shellac.

An old world gold leaf with a dark gray undercoat wooled through with white shellac

Silver leaf with black sizing. Cracking effect, with orange shellac and brown glaze.

Bright, gold leaf with red undercoat and clear sizing. Finish gets wooled through, white shellac and no glaze.

Silver leaf with red undercoat, brown and white glaze with white shellac and light wooling edges

Silver leaf with black undercoat. Clear sizing, wooled white shellac and brown glaze.

Silver leaf with black undercoat and clear sizing. Wooled-through edges to undercoat, orange shellac, and brown glaze. (Color very close to 5007 Champagne Pearl Lacquer.)

For silver painted accents

For gold painted accents

Silver leaf accent trim

Greenish undercoat on gold leaf with brown glaze, spatter and brush marks (non-uniform)

Classic tortoise shell with gold base and brown overtones

Polished lacquer, black base with gray, green and white veining and glazing

Polished lacquer, black base with white and brown veining and glazing

Very antique, old world black marble with white/brown veining and antique distressing.

Very antique, old world blue-green marble with green, blue and brown veining and antique distressing.

Very antique, old world gray/white marble with antique distressing and sanding.

Very antiqued, old world marble, mushroom color with dark brown/black veining

Antique Nickel - 5"w, 2.5"d, 1"h

Antique Brass - 5"w, 2.5"d, 1"h

Antique Brass - 3.875"w, 3.875"d, 1"h

Antique Nickel - 3.875"w, 3.875"d, 1"h

Black - 7.25"w, 2.125"d, 0.75"h

Burnished Bronze - 7.25"w, 2.125"d, 0.75"h

Satin Nickel - 7.25"w, 2.125"d, 0.75"h

White Marble, Nickel - 5"w, 1.375"h

Black Marble, Burnished Brass - 5"w, 1.375"h

Black - 8.5"w, 2.125"d, 1"h

Burnished Bronze - 8.5"w, 2.125"d, 1"h

Satin Nickel - 8.5"w, 2.125"d, 1"h

Black - 3.5"w, 3.5"d, 1"h

Burnished Bronze - 3.5"w, 3.5"d, 1"h

Satin Nickel - 3.5"w, 3.5"d, 1"h

Antique Nickel - 5"w, 3.75"d, 1.125"h

Antique Brass - 5"w, 3.75"d, 1.125"h

Bronze - 5.75"w, 2.5"d